gamesbriefs
Studio · Publisher

NCSoft

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On games.briefs5
9:00

Aion (video game)

NCSoft · 2008

Aion (2008) is an MMORPG by NCSoft that merges PvP and PvE into a single territorial combat system—confined to the Abyss and Balaurea—where Legions battle players and NPCs alike for fortress control using siege weapons from PvE raids. Skills unlock in fixed chains, with later abilities more powerful and strictly dependent on earlier ones. Faction-based PvP is limited to opposing races, with no exceptions outside duels, the Arena, or Panesterra. Controlling a fortress funds the Legion and grants faction-wide vendor discounts and travel perks. The design demands coordination, sequencing discipline, and commitment to a rigid zone-and-race framework.

10:30

Guild Wars (video game)

ArenaNet · 2005

Guild Wars (2005) is a competitive online role-playing game developed by ArenaNet and published by NCSoft. It features instanced PvE and PvP, a level cap of 20 (extendable to 200 attribute points via quests), and a strict eight-skill loadout drawn from a library of over a thousand. It replaces gear dependency and grinding with skill-based combat, profession-locked builds, and modular progression across missions and arenas. Revenue came from standalone expansions and microtransactions—not subscriptions.

10:43

Lineage (video game)

NCSoft · 1998

Lineage is a medieval fantasy MMORPG developed and published by NCSoft. It launched in September 1998 as the company’s first game. It is built on NetHack’s stat, monster, and item systems with MMO mechanics added.

9:09

Blade & Soul

NCSoft · 2012

Blade & Soul is a Wuxia-themed MMORPG developed and published by NCSoft. Launched in June 2012, it was NCSoft’s first MMORPG since Aion in 2008. It features open-world exploration, real-time combo-based combat, four folklore-inspired races, and extensive character customisation.

10:12

Guild Wars 2

ArenaNet · 2012

Guild Wars 2 delivers responsive storytelling, dynamic world events, and skill-based combat — all without subscription fees. But its 'living world' relied on scheduled, often temporary content. Its branching narrative lives behind instanced doors. Its ambition outpaced its persistence.